Handiong Kapuno calls to celebrate the future and safeguard the past.
In his short film, “Figat” (meaning “Tomorrow” in Kalinga), a celebration of cultural heritage and a message of hope for the future are featured as part of the 21st edition of the Cinemalaya Philippine Independent Film Festival.
Kapuno said, “We were inspired to create Figat to shine a light on the beauty of life in the provinces of the Cordilleras and to honor the indigenous instruments of my Kalinga tribe. In today’s world, so many are consumed by screens and endless distractions that they forget to appreciate the simple, grounding joys of life. This disconnection worries me, as traditions that once bound us to our ancestors are fading with each generation.”
The 15-minute, 16-second film centers on Ching-ay (played by Aeoli Siagan), a spirited young girl from Kalinga, described as “untouched by the pull of technology,” whose journey sparks an unexpected revival of cultural pride. The narrative unfolds when Ching-ay is tasked by her teacher to bring a musical instrument to class. Eschewing modern choices, she embarks on a journey guided by her elders to craft a traditional instrument from her heritage. With her best friend Gu-ay-as (Tiffany Pagigian) by her side, Ching-ay plays her handmade creation for her classmates, creating a moment that bridges the gap between the past and the present.
Kapuno views the film as a call for remembrance. “Through Ching-ay’s story, I want people to see a life still intertwined with the land, music, and stories of our elders. She represents the child I hope still lives within all of us—one who listens to the heartbeat of her heritage and carries it forward with pride,” he said.
The director, who took on multiple roles including Director, Screenplay, Cinematographer, Editor, Original Music Score, Sound Design, and Producer, highlighted the intensely intimate scale of the production. “We were only three people on our team, and we believe that we were able to create this film with the help of our God-sent ancestors.” Screenplay and Executive Producer duties were handled by Giullienne Sanchez, with Production Design by Rowell Pagigian.
Kapuno, who aims to build his career as a cinematographer and interdisciplinary storyteller, views Figat as more than just a film—it is an act of cultural preservation. “The future is brightest when it grows from the souls of our ancestors,” he said.
The film has been hailed as a simple and uplifting celebration of tradition, resilience, and the quiet strength of a young girl determined to keep her culture alive.
Through Figat, Kapuno hopes that “we must reconnect to our roots, wherever they may be, because that’s where our true strength and identity lie.” By Maria Elena Catajan
